Concrete Elegance is a celebration of recent, exemplary, concrete architecture, chaired by Elaine Toogood and produced by The Building Centre and The Concrete Centre. 

Below are the projects discussed on Wednesday 22 February 2017.

The talk featured the crisp, almost crystalline white angles of the precast concrete diagrid and elaborate brick-faced concrete panels of Victoria Gate shopping centre in Leeds and the corrugated, fluid curves of Vex, a house cast entirely insitu. Each project is presented by its architect and other key collaborators.

Case studies:

Victoria Gate, Leeds, presented by Friedrich Ludewig, director of ACME & Charlie Scott, Watermans.

Victoria Gate, Leeds    

Victoria Gate, in the East of Leeds city centre, forms a natural extension of Victoria Quarter and Leeds’s retail district. The scheme includes a new John Lewis department store, multi-storey car parking and two arcades with a mix of shops, restaurants and leisure facilities. The buildings appear as three distinct elements with individual identities that relate to each other and the vernacular of Leeds and include facades of intricate brick faced concrete panels, GRC internal facades as well as white acid etched and polished precast concrete cast in dramatic pattern and relief. The project pushed the boundaries of manufacture, developed through early collaboration with the specialist precasting companies and delivered using 3D modelling.

Vex, Private house, London, presented by Stephen Chance of Chance de Silva joined by electronic musician Robin Rimbaud also known as Scanner

Vex building     Vex-Fluted

Vex, private house is a curved, fluted concrete house on formerly a derelict site in Stoke Newington designed by Chance de Silva. It's also an unusual collaboration between the architects and musician/composer Scanner. Music and architecture both take as their starting point Erik Satie's 'Vexations' – a looping, repetitive piano work that lasts around 18 hours in continuous performance.  This free standing building, with looping, sculptural form is set among larger buildings and trees. The over lapping of different floor planes provides opportunities for sky lights and manages privacy/views. The entire structure is  cast in-situ concrete, the outer wall poured against corrugated steel sheeting carefully crafted to follow the complex, ever changing curves of the buildings perimeter.

Please note that this event is free to attend but booking is essential. This event is produced by The Building Centre and The Concrete Centre.